Murano glass (or Venetian-glass as it is also known) has a long and illustrious history. The oldest extant document relating to Venetian glassmaking goes back to 982 A.D. By the late 13th century the glassmakers were removed to the nearby island of Murano, both to protect the city of Venice from fire and to safeguard the secrets of the craft.

Originally Venetian glass was a soda glass like that of the Eastern Mediterranean; in fact, the formula may have come to Venice as a result of the great commerce between the city of Venice and the Mid-East. By the end of the Renaissance numerous techniques had been developed by the Italians. "Lattimo" or white glass and then "cristallo" or colorless glass came into use. Decoration was accomplished with enamel and, most typical of Murano, with various filigree canes. Invention continued during the Baroque era of the 17th century; ornate forms, "aventurina" glass and complicated engraving became commonplace.

A lull followed during the 18th century as competition worldwide increased. By the late 19th century however, Murano, was again in the forefront of the glass craft, reproducing old designs in an ever more beautiful way. After World War I Murano began forging a new style which found its height during the Thirties with important designers like Carlo Scarpa, Flavio Poli and Ercole Barovier. Simple lines, thick glass walls and humor characterized the glass of that era. Innovation has continued through the end of the 20th century. Numerous glass furnaces exist today in Murano and a wide range of articles are produced.